I give you this. My favorite part:

The third section is both incoherent and unconvincing. The long digression regarding the work of Richard Wagner is hardly appropriate; again, the author’s personal animosities are unpleasant to have to wade through. I would much rather see a return to the style of his earlier The Birth of Tragedy, which seemed to me altogether more sure-footed in its following of the transcendental achievements of Schopenhauer and Kant, which the author has sadly turned away from.

(Via John Protevi.)